Category: Work

Cut/Sew

Work 21.05.10

Cut/Sew
2010
Cotton Knit, Bronze Wire.
Quotidian Exhibition Text:

My relationship with objects is a fraught one, as around them I am almost always distracted.  Take carpet for instance. We commonly lay this form of cloth at our feet and after a lifetime of daily engagement with this quotidian object, as a designer I now begin to reconsider the role of carpet in my life.

The writer Angeli Sachs argues that in times of societal crisis, design begins to reflect a stronger link with the natural world. Sachs contends that “forms inspired by nature become topical when modern society finds itself in crisis”1 and then suggests “the use of organic forms is intended to bring about harmonization and reconciliation with an external world perceived as inhospitable or hostile.” I am intrigued by the automatic correlation Sachs makes between organic forms and historical crisis points. In contrast to Sachs’ statements however, what I regularly see occurring around me – particularly in response to the current economic and ecological crises – is a tendency towards ‘distraction’ rather than as Sachs’ statement implies, a collective yearning for the pastoral. My feeling is simply that we furnish our houses with carpet, rugs, drapes and throws to distract ourselves from the external world. To this end, something that fascinates me as a designer is the deliberate use of textile to function as both a buffer and a distraction inside the home. The use and manipulation of textiles is a growing interest both personally and within my practice. I am particularly interested in investigating production techniques and capabilities. My most recent work, the Cut and Sew Lamp, for instance attempts to replicate and exaggerate this idea of distraction, mimicking the soft ‘reconciliation’ of the carpet in the gentle bell curvature of the frame and the ease of the draping fabric. An additional ‘distraction’ is that these lamps can be manipulated in length to become, like our carpet choices, more – or less – obtrusive in the domestic environment.

1.Angeli Sachs, Paradise Lost? Contemporary Strategies of Nature Design, From Inspiration to Innovation Nature Design, ed. Angeli Sachs, Lars Muller Publishers, Zurich, 2007. (pp266)

Frances

Work 03.01.10

O

Frances
2009
Reclaimed billboard material, bronze wire.

Launched at Of Its Time, Depot Artspace, Devonport.

The Frances lamp shade is driven by the necessity of using resources at hand in difficult economic and environmental times: unwanted signage materials are repurposed as the body of the lamp shade.

Rather than using a rigid framework to stretch the fabric Frances draws heavily on the nature of the material to dictate the form of the piece. The form is held rigid at its top by a triangular bracket, while heavy seams down the sides hold the form open while letting it remain flexible.

Articulation Station

Work 21.08.08

A couple of weeks ago now I spoke briefly about chairs and other things which get me excited at “articulationstationv2.ppt”. Mark Buntzen is the driving force behind this event which aims to provide a forum for ‘cross-pollination’ between creative disciplines. The event was a great opportunity for me to both put some ideas out there (everything sounds different when you say it out loud) and listen to a bunch of other people talk about some very interesting/disparate ideas of their own. Pop along to his blog here, have a wee look and get involved next time!

Bombay Sapphire Botanical Bar

Work 14.08.08

 

The marvelous people at Eon have connected me with the people at Bombay Sapphire, who commissioned a custom Rhythm Shelf to help complete the Katie Lockhart designed Botanical Bar, open on the corner of Customs St East & Commerce Sts until the 17th of August. Pop along and have a look before it all goes to Christchurch.

Photo Credit Eon Design Centre